[B5JMS] Note Regarding Volume 3+ ID numbers

Sat Jan 7 04:29:48 EST 2006

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From: "Rick" <UD85 at yahoo.com>
Date: Thu, 5 Jan 2006 20:04:41 +0000 (UTC)
Lines: 60

JMS:

I notice, in reading the _B5_ script books that sometimes you just
establish in stage directions (if that's the correct term) that
characters are walking into or out of a room; or if already there,
whether they're standing or sitting. But nothing more specific about
_what_ the characters are doing. Yet, on screen a particular character
may be doing something different than just sitting or standing there.

Case in point: "The quality of Mercy." According to the script, there's
a scene in Act 1 where Sinclair, Garibaldi, Talia and the Ombuds are
seated at the conference room table. No description of what they're
doing beyond sitting and talking. Yet, in the aired episode, the scene
opens with Garibaldi doing almost a complete circuit about the table,
taking his seat as he theorizes that Mueller has killed often in the
past. Was this change depicted in a later version of the script, or did
you leave it to Jerry Doyle to sort of fill in the blanks, as it were?
That circuit around the table does seem in character for Garibaldi, and
I could see it as being either a script change or the actor's
suggestion.

On the other hand, in some cases, such as a scene (I'm blanking on the
episode) specifying Sinclair getting his link caught in his sleeve, you
give specific stage directions. In terms of script writing (in general)
do scripts mostly give specific instructions as to what characters are
doing; or mostly give general enough instructions to allow the actor
some leeway to interpret the action; or is it a mix of the two? I
notice, for example, that Londo putting his arm around Lennier in the
teaser of the same episode is also not described in the script; but we
are told that Londo seems more excited about Lennier's "education" that
Lennier does.

I suppose the main reason I ask, beyond the general curiosity, is that
the scene at the conference room table reminded me of a scene in one of
my novels, in which my characters discuss how they're going to proceed
following a major setback. They're gathered about the table in this
scene, but when I first wrote it, I found they came across as talking
heads if there was just dialogue. So I had them _doing_ things during
this discussion. I had Will pacing back and forth (because that's his
way- always impatient to get on with matters); while one or two others
fiddled with knick knacks on the table. Others just sat (or stood)
listening to the debate, and contributing from time to time.

And that made me wonder. If I were a screenwriter, and was writing that
scene for a TV show or movie, my instincts would still be to put in
stage directions indicating that everyone is not just sitting (or
standing) there. If not detailed directions, then at least something to
the effect of, "actors, you know your characters. Have them engage- or
not- as you believe they would." Would that instinct have been correct?

And briefly, speaking of "Quality of Mercy." I've looked for the scene
with Bill Mumy out of costume, smiling at June Lockhart but don't see
it. Are you sure it made it to the aired version?

Thanks. And happy new year.

Rick

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From: jmsatb5 at aol.com
Date: Fri, 6 Jan 2006 00:17:35 +0000 (UTC)
Lines: 57

Rick wrote:
> JMS:
>
> I notice, in reading the _B5_ script books that sometimes you just
> establish in stage directions (if that's the correct term) that
> characters are walking into or out of a room; or if already there,
> whether they're standing or sitting. But nothing more specific about
> _what_ the characters are doing. Yet, on screen a particular character
> may be doing something different than just sitting or standing there.
>
> Case in point: "The quality of Mercy." According to the script, there's
> a scene in Act 1 where Sinclair, Garibaldi, Talia and the Ombuds are
> seated at the conference room table. No description of what they're
> doing beyond sitting and talking. Yet, in the aired episode, the scene
> opens with Garibaldi doing almost a complete circuit about the table,
> taking his seat as he theorizes that Mueller has killed often in the
> past. Was this change depicted in a later version of the script, or did
> you leave it to Jerry Doyle to sort of fill in the blanks, as it were?
> That circuit around the table does seem in character for Garibaldi, and
> I could see it as being either a script change or the actor's
> suggestion.
>
> On the other hand, in some cases, such as a scene (I'm blanking on the
> episode) specifying Sinclair getting his link caught in his sleeve, you
> give specific stage directions. In terms of script writing (in general)
> do scripts mostly give specific instructions as to what characters are
> doing; or mostly give general enough instructions to allow the actor
> some leeway to interpret the action; or is it a mix of the two? I
> notice, for example, that Londo putting his arm around Lennier in the
> teaser of the same episode is also not described in the script; but we
> are told that Londo seems more excited about Lennier's "education" that
> Lennier does.
>
> I suppose the main reason I ask, beyond the general curiosity, is that
> the scene at the conference room table reminded me of a scene in one of
> my novels, in which my characters discuss how they're going to proceed
> following a major setback. They're gathered about the table in this
> scene, but when I first wrote it, I found they came across as talking
> heads if there was just dialogue. So I had them _doing_ things during
> this discussion. I had Will pacing back and forth (because that's his
> way- always impatient to get on with matters); while one or two others
> fiddled with knick knacks on the table. Others just sat (or stood)
> listening to the debate, and contributing from time to time.
>

I put an action in if I think it is important, otherwise I leave it be
and let the director and the actor work out the staging.  The director
moves the actor around the room to keep things visually interesting,
and that's their purview.  So the sleeve thing was important to
establish kind of the cumbersome nature of things, but whether someone
walks around a table, or back and forth, or clockwise, is not a story
point and is the director's purview.  

jms

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From: jmsatb5 at aol.com
Date: Sat, 7 Jan 2006 09:19:14 +0000 (UTC)
Lines: 28

Posted at the request of the B5 scripts team:

jms

--------------------------------

Alert from the Babylon 5 Scripts Team: Babylon5scripts.com has
adjusted the proof-of-purchase requirement to earn volume 15.  The
only information buyers will be asked to submit is their order number
for each volume.  In other words, no one is required to state the
unique identifier found on the backs of volumes 1 and 2, (but NOT on
volume 3) as formerly indicated on the website.  This should simplify
things.

As a side note, order numbers can be found in the confirmation emails
from Cafe Press, as well as the receipt included with each book
shipment.  If you have misplaced either, Cafe Press will happily give
you this information by phone.  You can reach them during business
hours at 877-809-1659.  International customers can reach them via
email using the feedback form on their site.

If you have any other questions, please contact the head of the
Babylon 5 Scripts Team at jaclyn at babylon5scripts.com.

Complete details about the proof of purchase can be found here:
http://www.babylon5scripts.com/ProofOfPurchase.htm