JMS: Writing and Beats.
B5JMS Poster
b5jms-owner at shekel.mcl.cs.columbia.edu
Sat Jun 29 06:19:12 EDT 1996
Subject: JMS: Writing and Beats.
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No. | DATE | FROM
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+ 1: Jun 24, 1996: tmclean at chat.carleton.ca (Tom McLean)
* 2: Jun 25, 1996: jmsatb5 at aol.com (Jms at B5)
+ 5: Jun 28, 1996: mjhaynes at woodlawn.uchicago.edu ( T'Nia)
* 6: Jun 28, 1996: jmsatb5 at aol.com (Jms at B5)
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From: tmclean at chat.carleton.ca (Tom McLean)
Lines: 12
Say, I just got back from a week-long intro to scriptwriting
workshop where they told us all about beats. I was wondering if, in the
writing of your scripts, you follow the odd-number beat rule?
-Tom
<Life's only certainty is death> Thus began the morbid years.
Email address: tmclean at chat.carleton.ca
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From: jmsatb5 at aol.com (Jms at B5)
Lines: 14
"I was wondering if, in the writing of your scripts, you follow the
odd-number beat rule?"
Nope. Don't even know what that is. I hate rules and generally avoid
them. TV writing has too many of them, used by too many people, creating
formulaic writing.
jms
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From: mjhaynes at woodlawn.uchicago.edu ( T'Nia)
Lines: 31
Jms at B5 (jmsatb5 at aol.com) wrote:
: "I was wondering if, in the writing of your scripts, you follow the
: odd-number beat rule?"
: Nope. Don't even know what that is. I hate rules and generally avoid
: them. TV writing has too many of them, used by too many people, creating
: formulaic writing.
: jms
Thank you! Thank you! Thank You! Thank you! Thank you!
I don't know about everyone else, but I'm kindof tired of being able to
lay out the entire plot of a show after only seeing the teaser. At first
I thought it only applied to bad sit-coms, but after a bit (I'd say by
the time we're 10 or so) it's all of them...
Someone 'round here has a sig that says B5 will spoil you for regular
tv... That's dead on. So go ahead, please - spoil us!
We follow willingly.... into the Night
--
T'Nia of Shanai Kahr
mjhaynes at midway.uchicago.edu
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From: jmsatb5 at aol.com (Jms at B5)
Lines: 20
Thanks. The problem is exactly as you state, too much formulaic writing
in TV. That's why I object to the seminars and individuals who say they
can teach you to write like everybody else, using a formula. First, if we
already HAVE everybody else...why do we need you? You need to have a
distinct voice we can't GET anywhere else. That's the only real commodity
you've got. Second, the formula some offer is mechanical and works only
at a minimum level; you'll never produce anything of value or real
interest using it.
So when I did my original writing book, and the new, expanded revision
coming out this October, I had to find ways to direct people in their
writing without telling them what to write or how to write it. That, I
think, would be a mistake. So it's an odd sort of book, but I think it
worked in the end.
jms
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